Platina Jazz Vol.2 is a variety of expression, loving fandom, and delicate homage that I had simply not encountered before. Why even bother? Why target a niche market of a niche market? Why make the songs so unrecognizable? Why not just make another, better, purely jazz album? Again, I was simply looking at it the wrong way. I wondered at one point why even decided to base an album off of anime tunes. In fact, some numbers are barely even recognizable as the songs to which they’re supposedly paying tribute. These songs only have a passing resemblance to their originals. Think less the Beatles’ version of “Twist and Shout” and more John Coltrane’s version of “My Favorite Things,” and you’re getting the general idea. The versions of the anime staples here are entirely reimagined, totally deconstructed, rebuilt-from-the-ground-up jazz songs that are unapologetically just jazz. Those expecting lightly-rearranged, jazz-flavored covers of their favorite anime songs will be sorely disappointed if you’re looking for the same sort of sparkle and flair of the originals, you’ll find little to like here. The album may be surprising in a number of ways. This brings me, finally, to Platina Jazz Vol.2. An exquisite, roomy, comfortable, cutting edge, powerful, handsomely-designed sales disaster. It was a challenge a declaration of what Volkswagen could accomplish in the luxury market that they had previously dared not tread.
#Rasmus faber presents platina jazz anime standards download download
Rasmus Faber Presents Platina Jazz Anime Standards Download It was more emotional than that, more passionate. It wasn’t about being a world-beating, do-everything car. The Phaeton wasn’t about being the undisputed sales leader or profit center. Why go through the trouble? Why not just make another, better Audi? It was then I realized I was missing the point. Why make the car so similar to an Audi? Why even call it a Volkswagen? The car had an Audi engine, an Audi design, an Audi-like interior, all at a near-Audi price it was essentially a rebadged Audi. With that in mind, consider that, in 2002, Volkswagen released a car called the Phaeton, the very antithesis of this business concept. Prudence dictates that these companies shouldn’t compete between themselves and cannibalize sales from each other.
In Audi, the sleek sexiness suitable for the likes of Iron Man. In Volkswagen, the image of fun but frugal prevails. Ai Oboete Imasuka (Do You Remember Love) Rasmus Faber 5:15 Review: From under one corporate umbrella are two car companies unlike in dignity. Tamashii no Refrain Rasmus Faber 4:50 17. Aimo – Tori no Hito Rasmus Faber 4:30 16. Yume no Tamago Rasmus Faber, Emily McEwan 4:24 14. Sobakasu (Freckles) Rasmus Faber 4:01 12. Hello, Vifam Rasmus Faber, Emily McEwan 3:56 11. Merry-Go-Round of Life Rasmus Faber 4:31 08.Īkatsuki no Kuruma Rasmus Faber 4:39 09. Skies of Love Rasmus Faber, Emily McEwan 3:38 06.
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